Short Reflection on Kraftwerk

by Fraser Hibbitt for the Carl Kruse Arts Blog Four men, a measured distance apart, standing disinterestedly over four synthetic sound systems. There is a small crowd seated in front of them. The sound that permeates the room comes from the barely moving men, and it is one of melodic and harmonic simplicity. It is

Filippo Brunelleschi and his Dome

By Asia Leonardi for the Carl Kruse Arts Blog Filippo Brunelleschi (1377-1446), architect and engineer, sculptor and painter, is universally considered the pioneer of the Italian Renaissance and the creator of an approach to architecture that would dominate the European art scene, at least until the end of the 19th century. Through a passionate study

Movements of the Soul Translated into Ceramic: Manon de Vlieger

Interview by Asia Leonardi for the Carl Kruse Arts Blog Amsterdam is the motherland of artists. Among its streets, its bridges, and its canals, a century-old history reverberates, interwoven on the concepts of tolerance, resistance to authoritarian domains, spontaneous expression, freedom. It is for this reason that this city offers a combination of the most

Infinite Worlds Upside Down – The Interior Landscapes of Maurits Cornelis Escher

by Asia Leonardi for the Carl Kruse Arts Blog The graphic art of Maurits Cornelis Escher is different from that of any other artist, instantly recognizable to millions of people around the world, representing an always compelling combination of art and mathematics. Escher’s world, which explores issues of infinity and paradox, of impossible geometry and

Jackson Pollock’s Hymn To Freedom: Action Painting

by Asia Leonardi for the Carl Kruse Arts Blog The antithesis between abstract and realistic art, which lasted for a long time in the 1950s, was overcome during the decade which — although difficult to reduce to a common denominator — can be grouped under the definition of “informal.”  This term, used for the first

Carl Kruse – The Boros Bunker

The Boros Bunker in BerlinBy Carl Kruse What to do with an abandoned, six-story tall World War II bunker in Berlin? If you’re Christian Boros, build a 10,000 square-foot penthouse atop, fill lower levels with eclectic post-1990 art and open to the public. Side view of the Boros Bunker with war damage.  Photo:  Carl Kruse